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The story of Pan - The myth of the pan flute

October 13, 2016

 

Have you ever wondered what is the origin of the name "Pan" for the pan flute instrument?. Here is a brief resume of who was "Pan" and what is the myth behind this popular and ancestral woodwind instrument.

 

Pan (Faunus) was the god of fertility, and the special patron of shepherds and huntsmen; he presided over all rural occupations, was chief of the Satyrs, and head of all rural divinities.

According to the common belief, he was the son of Hermes and a wood nymph, and came into the world with horns sprouting from his forehead, a goat's beard and a crooked nose, pointed ears, and the tail and feet of a goat, and presented altogether so repulsive an appearance that, at the sight of him, his mother fled in dismay.

Hermes, however, took up his curious little offspring, wrapt him in a hare skin, and carried him in his arms to Olympus. The grotesque form and merry antics of the little stranger made him a great favourite with all the immortals, especially Dionysus; and they bestowed upon him the name of Pan (all), because he had delighted them all.

His favourite haunts were grottoes, and his delight was to wander in uncontrolled freedom over rocks and mountains, following his various pursuits, ever cheerful, and usually very noisy. He was a great lover of music, singing, dancing, and all pursuits which enhance the pleasures of life; and hence, in spite of his repulsive appearance, we see him surrounded with nymphs of the forests and dales, who love to dance round him to the cheerful music of his pipe, the syrinx. The myth concerning the origin of Pan's pipe is as follows:—Pan became enamoured of a beautiful nymph, called Syrinx, who, appalled at his terrible appearance, fled from the pertinacious attentions of her unwelcome suitor. He pursued her to the banks of the river Ladon, when, seeing his near approach, and feeling escape impossible, she called on the gods for assistance, who, in answer to her prayer, transformed her into a reed, just as Pan was about to seize her. Whilst the love-sick Pan was sighing and lamenting his unfortunate fate, the winds gently swayed the reeds, and produced a murmuring sound as of one complaining. Charmed with the soothing tones, he endeavoured to reproduce them himself, and after cutting seven of the reeds of unequal length, he joined them together, and succeeded in producing the pipe, which he called the syrinx, in memory of his lost love.

Pan was regarded by shepherds as their most valiant protector, who defended their flocks from the attacks of wolves. The shepherds of these early times, having no penfolds, were in the habit of gathering together their flocks in mountain caves, to protect them against the inclemency of the weather, and also to secure them at night against the attacks of wild animals; these caves, therefore, which were very numerous in the mountain districts of Arcadia, Boeotia, &c., were all consecrated to Pan.

As it is customary in all tropical climates to repose during the heat of the day, Pan is represented as greatly enjoying his afternoon sleep in the cool shelter of a tree or cave, and also as being highly displeased at any sound which disturbed his slumbers, for which reason the shepherds were always particularly careful to keep unbroken silence during these hours, whilst they themselves indulged in a quiet siesta.

 

 

 

"The mythical story and history of Pan" by E.M. Berens - Web:  http://www.talesbeyondbelief.com/myth-stories/pan.htm

 

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